The sixth edition of Scandi, showcasing Scandinavian films, runs January 9 to 12 at the Lucerna, Edison, Atlas and Evald cinemas in Prague. Some but not all of the screenings are English-friendly.
The main section is
premieres, with six recent films. The festival opens with Queen of
Hearts (Dronningen / Srdcová Královna), a Danish erotic drama
about a lawyer who seduces her teenage stepson, and then has to make
tough decisions. It won the he 2019 Nordic Council Film Prize.
Out Stealing
Horses (Ut Och Stjäla Hästar / Jít krást koně) won the
Silver Bear for Outstanding Artistic Contribution at the 2019 Berlin
International Film Festival. An old widower, portrayed by Stellan
Skarsgård, reflects on his youth in a rural area. Hans Petter Moland
directed the film, which is based on a 2003 Norwegian novel by Per
Petterson.
Both Queen of Hearts and Out Stealing Horses were submitted for consideration for the Academy Award for Best International Feature Film, but did not make the short list. Final nominations 92nd Academy Awards have not yet been announced.
Finnish director
Zaida Bergroth’s latest feature Maria’s Paradise (Marian
paratiisi / V mariině ráji) takes place in the 1920s, with a young
member of a charismatic cult meeting a local street girl in Helsinki
and starting to question her beliefs.
Two films, Daniel (Ser Du Månen, Daniel / Vidíš měsíc, Danieli) and The Perfect Patient (Quick / Dokonalý pacient),are based on true stories, and the final film, Fat Front (Pěkně tučná sebeláska), is a documentary.
The
drama Daniel tells the exploits of Danish freelance
photographer Daniel Rye, who was held hostage in Syria for over a
year along with other foreigners including American journalist James
Foley.
A Swedish legal scandal is at the heart of The Perfect Patient. A man named Thomas Quick confesses to multiple murders, but may himself be the victim of manipulative psychiatrists. A journalist look into the affair that many would like to see hushed up.
The documentary Fat
Front follows four activists in the fat acceptance movement, as
they try to support inclusivity. The film has an optimistic tone, but
also shows the women’s daily struggles.
Other sections in
the festival include Flashbacks, Comedies, and Women on the Warpath.
The latter category is inspired by last year’s Icelandic hit Woman
at War (Kona fer í stríð / Žena na válečné stezce), which
will be shown again. Many of these films have been seen in previous
festivals or in Czech distribution.