Her monologue on the metaphor of sight is both fluid and meaningful. For a star who means to shock or belabour a point, this could have been a typical diatribe, but it is to McCully’s credit that she makes her most secretive thoughts tangible, even moving, to her audience. However, McCully does not take herself too seriously and is therefore not afraid to be a bit outrageous, strike a pose in a send-up of a pin-up pose, nor is she pushing any agenda or ideology; she is telling us her life story, the ups, the downs, the things anyone, any women, can relate to. This is not to say she is not serious in her performance, on the contrary, McCully is deeply invested in her work and the captivated, responsive audience was proof of that.