Do the trio of actors characterise Dali, his disapproving wife and delicious models or are they New Yorkers infected with the poison that is surrealism? (The tail coat wearing fourth is by turns the musical accompaniment and MC of sorts.) At times, I wondered if there wasn´t a pinch of the Emperor´s New Clothes in here, that people are guilted into professing an understanding of Dali´s work and that discussing art more and more obscurely (read: with greater understanding than you) becomes a means of flirtation. Or is this, as advertised, an exploration into Dali´s subconscious as seen through The Hallucinogenic Toreador, his most autobiographical of paintings?